
↳ Maeva Rosset:
ANTIPARFUM, 2016, 30 ml Parfüm

↳ Maeva Rosset:
Dummes Holz, 2016, circa 150-200/30/30cm pro stück, 5 Hölzer und Parfüm (Blood smell)

↳ Maeva Rosset:
sans titre, 2016, 1m/1m, Fotografie auf Aluminium

↳ Maeva Rosset:
étude sur citrons hybrides, performance 15 min

↳ Maeva Rosset:
sacrilège, 2015, 183/140cm, Kurkuma

↳ Maeva Rosset:
sacrilège, 2015, 183/140cm, Kurkuma

↳ Maeva Rosset:
maison des addictions 2017, 2.50/1.80/1.90, installation, serre, machine à bulles, parfum

↳ Maeva Rosset:
maison des addictions 2017, 2.50/1.80/1.90, installation, serre, machine à bulles, parfum

↳ Maeva Rosset:
Symphonie n°1 pour orgue à nez, 2016, performance 30 min

↳ Maeva Rosset:
Symphonie n°1 pour orgue à nez, 2016, performance 30 min
Statement
The senses, in particular the sense of smell, occupy a main place in my work. It’s used as a tool of transmission, captation and manipulation. Do we smell and see at the same time? Or I see and then I smell? I am interested in producing a space where the viewer discovers a complex relationship between her or his knowledge of art and a more transformative experience that may expand their notion of « experience » of « space » of « interaction ».
Biografie
Geboren 1989 in Lausanne, lebt in Münchenstein.
2008–2012, Bachelor en arts visuels, ECAL, Lausanne
2014–2016, Master of Fine arts, HGK, Basel
Förderungen + Preise
2012, prix visarte vaud, Lausanne
2015, Tanz mit Bruce#6, stipendium und residenz, Frauenfeld
Einzelausstellungen
2014, Deux grands pieds pour une quenouille, Galerie de la Blancherie, Payerne
Gruppenausstellungen
2012, exposition de Bachelor, ELAC, Lausanne
2013, Sol Lewitt loves pancakes, galerie ZIP, Basel
2015, Irma la douce, Penthouse, Zürich
2015, Manoeuvre, Shedhalle Frauenfeld
2016, Every contact leaves a trace, Kunsthalle Basel
2016, Cantonale Bern, les halles Porrentruy
2017, les jours des éphémères, Solothurn
Webseite
Kontakt